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2004 ♥
47 ♥

If you are having a lot of sex, and you are enjoying it, obviously I’m not going to talk you out of it, but in this environment where we vet or measure our relationships by the amount of sex we are having, I think that is disingenuous for people who have lots of other ways to express intimacy. There are a number of things which connect people, but we are constantly spun this line that the glue to a relationship is sex, and without it one’s relationship will fall apart, and I think there are a lot of commercial reasons why that message is put out. That’s not just insulting, it’s pernicious.

— Dr Petra Boynton (Life after lust – the appeal of sexless marriage | Life and style | The Guardian)
443 ♥
thepinesaredancing:

This reminds me of my thesis. 
That’s weird. 
2247 ♥

Best Author-on-Author Insults In History

  • Virginia Woolf on James Joyce: [Ulysses is] the work of a queasy undergraduate scratching his pimples.
  • Harold Bloom on J.K. Rowling: How to read ‘Harry Potter and the Sorcerer’s Stone’? Why, very quickly, to begin with, and perhaps also to make an end. Why read it? Presumably, if you cannot be persuaded to read anything better, Rowling will have to do.
  • H. G. Wells on George Bernard Shaw: An idiot child screaming in a hospital.
  • Ralph Waldo Emerson on Jane Austen: Miss Austen’s novels . . . seem to me vulgar in tone, sterile in artistic invention, imprisoned in the wretched conventions of English society, without genius, wit, or knowledge of the world.
  • William Faulkner on Ernest Hemingway: He has never been known to use a word that might send a reader to the dictionary.
  • Ernest Hemingway on William Faulkner: Poor Faulkner. Does he really think big emotions come from big words?
  • W. H. Auden on Robert Browning: I don’t think Robert Browning was very good in bed. His wife probably didn’t care for him very much. He snored and had fantasies about twelve-year-old girls.
  • Mark Twain on Jane Austen: Every time I read ‘Pride and Prejudice,’ I want to dig her up and hit her over the skull with her own shin-bone.
  • Truman Capote on Jack Kerouac: That's not writing, it's typing.
3206 ♥
alysiaess:

Tobias Funke plush doll.
112 ♥

  • I hate being here
  • my dad just said he spent $5,000 on his all terrain vehicle gator like thing
  • he spent less than $1,000 on my car
  • MY CAR THAT HAS TO FUCKING DRIVE TO DANVILLE AND ATLANTA AND ALL OVER THE FUCKING PLACE BUT OH NO WE HAVE TO HAVE THE BEST TO DRIVE AROUND THE YARD
  • what the fuck ever, I’m going to steal your alcohol
  • then seeing certain people from high school just makes me depressed
  • sad kind of
  • I haven’t told my parents about the $13,000 they owe Centre for the year
  • that will be a fun conversation
  • did i mention we are still trying to find somewhere to live in atlanta?
  • yeah that’s a real thing
  • it’ll work out, says the part of me that i trust
  • i have tan lines yeeeee
  • yes, father’s girlfriend, I guess I will pick around the GROUND BEEF in the spaghetti you’re making
  • whatever this isn’t your house
  • and yes, father, I WILL MAKE MYSELF AT HOME. BECAUSE THIS IS MY HOME. I SLEPT HERE FIRST AFTER I WAS BORN. SO FUCK YOU
  • this has been an angry post
  • mostly because I’m sad
  • my new trampled by turtles record is sitting in my room. tiny bits of consolation 
  • when will i finally turn into a super hero?

4 ♥

Existentialism is a powerful thing when you are 18 years old. It gives you the feeling that you… understand the world but you just can’t explain it to other people.

She had that feeling thinking of what she had written in her paper on Kierkegaard. We can only live life forwards, but we understand it backwards. We cannot endure and yet we must endure. We can only be what we are but whether we are or not we will live to regret it.

—

Garrison Keillor’s ‘News From Lake Wobegon’.

http://prairiehome.publicradio.org/about/podcast/

(via elysian-moonquaver)

48 ♥
guestofaguest:

Woodstock, Bethel, New York, 1969 by Elliott Landy
2401 ♥
97 ♥
[Flash 9 is required to listen to audio.]
45 ♥
[Flash 9 is required to listen to audio.]
127 ♥
girlmeetsbanjo:

still perfect.


this always
427 ♥
guerrillamamamedicine:

(via Creativity is not a talent. It is a way of operating.* | The Interdependence Project)
It’s Art Month at IDP. Like meditation, art asks us to look at the world differently — to see from a different perspective, to redefine things, to consider their form and to question the boundaries of that form. Art is about dropping our usual filters.
Everything can be done artfully, Chogyam Trungpa Rinpoche says, when we appreciate its uniqueness and freshness.
John Cleese in a 1991 talk outlines “the five factors that you can arrange to make your lives more creative.” All of them can be cultivated through meditation.
Space.  Cleese: “You can’t become playful, and therefore creative, if you’re under your usual pressures.” In meditation we look for space, for the gap between thought and reaction. That’s the space where creativity arises, where anything is possible, where we can choose an unconventional direction.
Time. Cleese: “It’s not enough to create space; you have to create your space for a specific period of time.” Thirty minutes a day? Every day. At the same time, if possible. Discipline brings joy.
Time. Give your mind as long as possible to come up with something original, and learn to tolerate the discomfort of pondering time and indecision. “Learning to tolerate the discomfort of time” — an apt description of meditation if ever there was one. Staying on the cushion and looking at our reactions to the passage of time, the grasping at distraction, the preciousness of each breath.
Confidence.  Cleese: “Nothing will stop you being creative so effectively as the fear of making a mistake.” Really, there are no mistakes. There’s just what there is in the this moment. And what we do with it. Getting beyond the fear of others’ reactions to a feeling of confidence in our own goodness is an important part of what we can achieve through meditation.
Humor. Cleese: “The main evolutionary significance of humor is that it gets us from the closed mode to the open mode quicker than anything else.” The closed mode, he explains, is the focused mind that relentlessly works on one problem. The open mode is more spacious. Think concentration practice vs. open awareness. The open mode is necessary for creativity, Cleese says; the closed mode is what allows us to implement those ideas we come up with.

Not to mention that when you watch your mind operating, sometimes the only appropriate response is laughter.

The art of meditative experience might be called genuine art. Such art is not designed for exhibition or broadcast. Instead it is a perpetually growing process in which we begin to appreciate our surroundings in life, whatever they may be — it doesn’t have to be good, beautiful, or pleasurable at all. The definition of art, from this point of view, is to be able to see the uniqueness of everyday experience. Chogyam Trungpa Rinpoche, “True Perception: The Path of Dharma Art”

(Cleese is on the far left in the photo of Monty Python’s Flying Circus from April 1976. From left to right: John Cleese, Michael Palin, Terry Gilliam, and Terry Jones.
*The title is a quote from Cleese.
29 ♥
wholewheat:

thank you
263 ♥
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